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By Susanne Bodensteiner
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Extra resources for Tee in aller Welt GERMAN
Sample text
So she left his studio and found work in the Fifth Avenue 37 38 DOROTHEA LANGE studio of Mrs. A. Spencer-Beatty. In this job, for which Lange was paid $12 weekly, she started out doing simple tasks. The nature of Lange’s duties changed drastically, though, when Spencer-Beatty found herself in a bit of a jam. Spencer-Beatty had just one camera operator on staff (she contracted out the retouching and printing). Shortly after Lange began working for her, Spencer-Beatty’s operator quit. Faced with an expensive commission to fulfill, the desperate Spencer-Beatty assigned the job to Lange, sending her out to photograph the rich Irving Brokaw family.
Indeed, Lange believed that she was essentially self-taught. “I have learned from everything, and I’m constantly learning. ” (Meltzer, 18) 31 Learning the Craft 1913 –1918 As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure. — Susan Sontag, On Photography (1977) There is nothing worse than a brilliant image of a fuzzy concept. ” (Meltzer, 22) She insisted that her daughter pursue a practical vocation so she could make a steady living.
Dorothea later admitted that she disagreed with this whole premise, feeling that it would interfere with her artistic goals. ” (Meltzer, 22) But she was forced to continue with her 32 A restless spirit. At a time when few women worked outside the home and even fewer pursued professional careers, Lange pressed on toward her dream of becoming a professional photographer. She was used to feeling like an outsider, so the pressures of society to conform to a woman’s role did not faze her — and she followed her mission relentlessly and without caring what the world might think of her.