By Dara Horn, Edward Lewis Wallant

For many folks, remembering the Holocaust calls for attempt; we hearken to tales, watch movies, learn histories. however the those that got here to be referred to as “survivors" couldn't keep away from their thoughts. Sol Nazerman, protagonist of Edward Lewis Wallant's The Pawnbroker, is one such sufferer.
At forty five, Nazerman, who survived Bergen-Belsen even though his spouse and kids didn't, runs a Harlem pawnshop. however the operation is barely a entrance for a gangster who will pay Nazerman a snug wage for his prone. Nazerman's goals are haunted via visions of his earlier tortures. (Dramatizations of those scenes in Sidney Lumet's 1964 movie model are recognized for being the 1st time the extermination camps have been depicted in a Hollywood movie.)
Remarkable for its makes an attempt to dramatize the aftereffects of the Holocaust, The Pawnbroker is also useful as an exploration of the fraught relationships among Jews and different American minority teams. That this novel, a countrywide publication Award finalist, manages to be either humorous and weighty, makes all of it the extra tragic that its gifted writer died, at age 36, the yr after its booklet. The e-book bought greater than 500,000 copies quickly after it was once released.

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Guten Morgen, Sol. Hey, how’s this for prompt? Not even eight thirty,” Ortiz said, cat-walking in and then spinning around to stare back at the street. “Man, it’s a funny day outside,” he said with a sudden change of tone. ” Sol looked up at him. He felt the strange sensation of having his thoughts pried into. But the ivory-dark face was bland and innocent, admitted to no trespassing. “Well, it give me a chance to catch up some more on them suits. I was talking to that George Smith, you know, that kook comes in here to talk to you sometimes.

Hey, that’s a good idea, subsidize. Sponsor us. Like they use to do in Italy durin’ the Renaissance. The Medici, you know. indd 23 7/1/15 3:34 PM e d wa r d l e w i s wa l l a n t was patrons to the artists, Michelangelo, da Vinci. Hey, how about that. Why not us, too! The hell, Uncle, we’re artists, too, ain’t we? ” The dehumanized, mirthless chuckle sounded again. “Okay, okay, partner, I’ll talk to you in a day or so. You take care of that little matter then. ” He looked up from the phone to see Ortiz studying the engraved plaque under Daniel Webster’s bust.

But her son, Morton, was vulnerable to her irritation. indd 28 7/1/15 3:34 PM t h e paw n b r o k e r were two of a kind, both sullen, unattractive creatures who dampened her “Happy American Family” setting. Oh, she supposed it wasn’t Sol’s fault that he had gone through what he had. But it had been a prison, and the degradation and filth had rubbed off on him. God knew what had so soiled Morton! When they all sat down to dinner, Bertha unhappily compared Morton and Sol with her husband and her daughter.

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