By Willy Peeters, Ronny Meuris

This distinct fourteenth version of the outstanding LOCK ON sequence takes us aboard the potent U.S.N plane service USS Forrestal. full of attractive complete colour images, this ebook makes a speciality of real air operations within the Mediterranean Sea within the early nineties, making this a different chance to determine the U.S.A.s significant stick in motion. attractive complete colour images captures leading edge U.S.N. plane in motion, resembling the F 14 Tomcat, the F-18 Hornet, the A-6 Intruder, The EA-6B Prowler, the S-3B Viking, in addition to the boys and gear used to maintain the operations relocating. This very appealing and in-depth e-book belongs within the number of any aviation fanatic, scale modeler, or USN veteran.

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38 rior in blue or any other range of colors. Primer (I used Boyd's White Primer) Red paint (I used Tamiya Gloss Red and Flat Red) Black paint (I used Tamiya Semigioss Black) Clear (I used Testors Dullcote Lacquer) Masking tape Hobby knife Burnishing tool/toothpick Various thinners for the above paints Detail paints (to use after the interior is airbrusbed) This project uses a combination of enamels and acrylics; however, you can use only enamels or acrylics, if you wish. Step 1: Prep work Fig.

I also have added a parts-box rear spoiler, featuring carbon-fiber constructions and scratchbuilt end plates. White primer (Testors Colors by Boyd White Primer) Gloss White paint (Testors enamel) Gloss Yellow paint Clear Gloss paint True Blue pearl paint Copenhagen blue Masking tape (Tamiya fine-line tape and commercial masking tape) Newspaper LMG pearl white powder LMG pearl yellow powder High-flow airbrush nozzle Step 1: A primer coat First, prepare the body for primer. Clean it and remove any mold lines, add custom details, and so on.

After this, you'll want to tackle more challenging paint schemes on aircraft and armor models with your airbrush. 28 A d d i n g D i r t and R u s t to a '63 Chevy Impala he following exercise will show you how easy it is to materials, you can apply a more permanent dirty, weath- add realistic weathering to models with your air- ered finish with your airbrush. You control the amount of brush. There are a number of techniques you can "dirt" by controlling the paint colors, mixtures, and use to achieve weathered finishes; some of those are well- amounts applied to the surfaces.

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